Презентация "Karl Pavlovich Briullov " представляет информацию о русском художнике, его биографии, стиле и его картинах. Данная презентация может быть использована на уроках английского языка, искусства, а так же в качестве примера для выполнения студенческих презентаций на уроках английского языка.
Karl Pavlovich
Briullov,
December 12 1799 –June 11,
1852,
called by his friends the
Great Karl, was an
internationally renowned
Russian painter. He is
regarded as a key figure
in transition from the
Russian neoclassicism to
romanticism.
Born of French parents in Saint Petersburg,
Carlo Brulleau (as his name was spelled until
1822) felt drawn to Italy from his early years.
Despite his education at the
Imperial Academy of Arts (1809–1821), Briullov
never fully embraced the classical style taught
by his mentors and promoted by his brother,
Alexander Briullov. After distinguishing himself
as a promising and imaginative student and
finishing his education, he left Russia for Rome
where he worked until 1835 as a portraitist and
genre painter, though his fame as an artist
came when he began doing historical painting.
Karl Brulloff. The Last Day of Pompeii. 1830-1833. Oil on canvas. The Russian
Museum, St-Petersburg, Russia. More.
• His best-known work,
The Last Day of Pompei
i
(1830–1833), is a vast
composition compared
by Pushkin and Gogol
to the best works of
Rubens and Van Dyck.
It created a sensation
in Italy and established
Briullov as one of the
finest European
painters of his day.
After completing this
work, he triumphantly
returned to the Russian
capital, where he
made many friends
among the aristocracy
and intellectual elite
Italian Morning.
1823. Oil on canvas. Kunsthalle, Kiel, Germany
1827. Oil on canvas. The State Russian Museum, St.
Italian Midday.
Petersburg, Russia.
Portrait of Giovanina and Amacilia Pacini, the Foster Children of
Countess Yu. P.Samoilova. 1832. Oil on canvas. The Tretyakov Gallery,
Rider.
Moscow, Russia.
• While teaching at the academy (1836–
1848) he developed a portrait style
which combined a neoclassical
simplicity with a romantic tendency
that fused well, and his penchant for
realism was satisfied with an
intriguing level of psychological
penetration. He was regarded as a
key figure in transition from the
Russian neoclassicism to romanticism.
Neoclassicism
• Revival of a classical
style but from a new
perspective or with a
new motivation; there
were distinct
movements in the
visual arts, literature,
theatre, music, and
architecture; the
movements were in
effect at various times
between the 18th and
the 20th centuries.
Romanticism
• Romanticism was a
secular and intellectual
movement in the history
of ideas that originated in
late 18th century Western
Europe. It followed the
Enlightenment period and
was in part inspired by a
revolt against aristocratic
social and political norms
of the previous period, as
well as a reaction against
the rationalization of
nature by the
Enlightenment:
Romanticism is an aspect
of what has been called
the Counter-
While he was working on the plafond
of St Isaac's Cathedral, his
health suddenly deteriorated.
Following advice of his doctors,
Briullov left Russia for Madeira in
1849 and spent the last three years
of his life in Italy. He died in Rome
and is buried at the Cemeterio degli
Inglesi there.